BOOKS
Rock and Roll vs. Modern Life
Bloomsbury Academic, 2023
[publisher page]
Against Ambience and Other Essays
Bloomsbury Academic, 2013
[publisher page]
In The Blink Of An Ear: Toward A Non-Cochlear Sonic Art
Bloomsbury Academic, 2009
[publisher page]
One Reason To Live: Conversations About Music
Errant Bodies, 2006
[publisher page]
EDITED VOLUMES, JOURNALS, MAGAZINES, CATALOGUES
2020 — “Gnostics of the North, or Music to Recolonize Your Anxious Capitalist Dreams By”
Law, Culture, Text, special issue, “The Acoustics of Justice”
2019 — Review of the exhibition, Eavesdropping, at City Gallery Wellington, NZ
Art Review Asia
2019 — “Against a Falling Fabric: Neoliberal Acousmatics”
Oxford Handbook of Sound Art
2018 — “Forming, Informing, Recording, Erasing, Documenting, Deleting”
Talk presented at the Colloque International: Spectres de l’audible, Paris
2018 — “The Pages Are In French”
Talk presented at the Seminar in Ethnomusicology and Sound Art, University of Oxford
2018 — Review of the exhibition, Sonic Rebellion: Music as Resistance at the Museum of Contemporary Art, Detroit
Art Agenda
2017 — “Yet each knew he saw only aspects: on Art & Language and the Red Krayola”
Catalogue essay for the exhibition, The Unfinished Wish
Musées d’Angers, Angers, France
2017 — “The Sound Canon of Samson Young”
Catalogue Text for Samson Young’s Songs for Disaster Relief
Hong Kong Pavilion, 57th Biennale di Venezia
2017 — “N.B.”
Postscript: Writing After Conceptual Art
University of Toronto Press
2017 — “In Rotation”
The Chicago Reader
2017 — “Death and the Salesman”
Lumpen, Trump’s First 100 Days Issue
2016 — “Music in the Abyssal Maw of Autophagia”
Polygraph: An International Journal of Culture and Politics, special issue, “Sound and the Modes of Production”
2016 — “Dams, Weirs, and Damn Weird Ears: Post-Ergonal Sound”
Routledge Companion to the Sounding Arts
2015 — “No Depth: A Call for Shallow Listening”
Talk presented in Halmstad, Sweden (later included in Against Ambience and other Essays)
2014 — “Steven Connor’s Theatre of the Naïve”
Critical Quarterly
2012 — “The Chladni Ostrich”
Keynote presented at the International Computer Music Conference (printed in the journal Array)
